Akira Kurosawa - translation to γαλλικά
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Akira Kurosawa - translation to γαλλικά

JAPANESE FILM MAKER (1910-1998)
Kurosawa Akira; Kurosawa; Akira kurasawa; Akira kurosawa; 黒澤明; 黒澤 明; 黒沢 明; User:Dipksir
  • Kurosawa (left) and [[Mikio Naruse]] (right) during the production of ''Avalanche'' (1937)
  • King's Ransom]]''. Image of McBain c. 1953.
  • [[Jacques Rivette]], a prominent critic of the [[French New Wave]] who assessed Mizoguchi's work to be more wholly Japanese in comparison to Kurosawa's.
  • alt=cast and crew of Throne of Blood
  • date=6 May 2017}}</ref>
  • [[Ingmar Bergman]], shown here in a bust located in [[Kielce]], Poland, was an admirer of Kurosawa's work.
  • alt=Publicity still of Shimura cleanly shaven and wearing glasses.
  • Scandal]]''
  • Ran}} at the [[58th Academy Awards]]. The award was ultimately won by [[Sydney Pollack]].
  • [[Steven Spielberg]] helped finance the production of several of Kurosawa's final films. Spielberg at his masterclass at the [[Cinémathèque Française]] in 2012.
  • Teppanyaki Kurosawa restaurant is tucked away down a small side street in Tsukiji, Tokyo.
  • Perov's]] portrait from the 1800s.
  • [[Yukiko Todoroki]] played the female lead in Kurosawa's first film, ''[[Sanshiro Sugata]]''. Contemporaneous photograph from 1937.

Akira Kurosawa         
Akira Kurosawa (1910-1998), Japanese film director and producer
Kurosawa      
Kurosawa, Akira Kurosawa (1910-1998), Japanese film director and producer

Ορισμός

gibberellin
[?d??b?'r?l?n]
¦ noun any of a group of plant hormones that stimulate stem elongation, germination, and flowering.
Origin
1930s: from mod. L. Gibberella, dimin. of the genus name Gibbera, from L. gibber 'hump', + -in1.

Βικιπαίδεια

Akira Kurosawa

Akira Kurosawa (Japanese: , Hepburn: Kurosawa Akira, March 23, 1910 – September 6, 1998) was a Japanese filmmaker and painter who directed 30 films in a career spanning over five decades. He is widely regarded as one of the most important and influential filmmakers in the history of cinema. Kurosawa displayed a bold, dynamic style, strongly influenced by Western cinema yet distinct from it; he was involved with all aspects of film production.

Kurosawa entered the Japanese film industry in 1936, following a brief stint as a painter. After years of working on numerous films as an assistant director and scriptwriter, he made his debut as a director during World War II with the popular action film Sanshiro Sugata (1943). After the war, the critically acclaimed Drunken Angel (1948), in which Kurosawa cast the then little-known actor Toshiro Mifune in a starring role, cemented the director's reputation as one of the most important young filmmakers in Japan. The two men would go on to collaborate on another fifteen films.

Rashomon (1950), which premiered in Tokyo, became the surprise winner of the Golden Lion at the 1951 Venice Film Festival. The commercial and critical success of that film opened up Western film markets for the first time to the products of the Japanese film industry, which in turn led to international recognition for other Japanese filmmakers. Kurosawa directed approximately one film per year throughout the 1950s and early 1960s, including a number of highly regarded (and often adapted) films, such as Ikirucode: jpn promoted to code: ja (1952), Seven Samurai (1954), Throne of Blood (1957), Yojimbo (1961) and High and Low (1963). After the 1960s he became much less prolific; even so, his later work—including two of his final films, Kagemushacode: jpn promoted to code: ja (1980) and Rancode: jpn promoted to code: ja (1985)—continued to receive great acclaim.

In 1990, he accepted the Academy Award for Lifetime Achievement. Posthumously, he was named "Asian of the Century" in the "Arts, Literature, and Culture" category by AsianWeek magazine and CNN, cited there as being among the five people who most prominently contributed to the improvement of Asia in the 20th century. His career has been honored by many retrospectives, critical studies and biographies in both print and video, and by releases in many consumer media.

Παραδείγματα από το σώμα κειμένου για Akira Kurosawa
1. Norbert Creutz Mardi 5 février 2008 Oubliez François Truffaut et Jean–Pierre Léaud, Akira Kurosawa et Toshiro Mifune, Federico Fellini et Marcello Mastroianni!
2. Les spéculations sont infinies: Frédéric Maire a décidé de célébrer d‘abord des auteurs vivants; ses films ont été difficiles ŕ voir en Suisse et ne passent quasiment jamais ŕ la télévision; la rétrospective s‘accompagne d‘une carte blanche oů ses films de chevet, de Buster Keaton, dont il partage l‘absence de sourire, ŕ Akira Kurosawa, dont il partage les initiales, rév';lent la culture et la sensibilité de ce géant aux pieds d‘argile, etc.